Adams, B. "Alison Saar", Art In America 80, no. 12 (Dec 1992): 119.

Anonymous. "Alison Saar", Sculpture Review 46, no. 1 (Sum 1997): 31.

Anonymous. African American sculptors: working with assemblage. Jefferson City, MO: Scholastic Art. 1998.

Atlanta, Ga. High Museum of Art. Alison Saar, Fertile Ground; art at the edge. Atlanta, GA: High Museum of Art. 1993.

Bagley, Frances; James Sullivan; Robert Brady; John Buck; Stephen De Staebler; Harry Geffert; Manuel Neri; Chris Powell; Claudia Reese; Alison Saar. Human Nature, Human Form: Figurative dimensions in Clay, Metal Stone and Wood. Austin, TX: Laguna Gloria Art Museum. 1993.

Brooks, R. "Alison Saar", ArtForum 37, no. 7 (Mar 1999): 119-120.

Carasso, Roberta. "'Body Politics' at the UCLA Fowler Museum", Artweek v. 32, no. 2 (Feb 2001): 21-22. [FirstSearch: WilsonSelectPlus-Full Text]

Catlett, Elizabeth. Traditions and transformations: Contemporary Afro-American Sculpture: The Bronx Museum of the Arts, Feb 21-May 27, 1989. Bronx, NY: The Bronx Museum of Fine Arts. 1989.

Chattopadhyay, Collette. "Alison Saar: UCLA Fowler Museum", Sculpture v. 20, no. 4 (May 2001): 58-59. FirstSearch: WilsonSelectPlus-Full Text]

[______. "Alison Saar: Santa Monica Museum of Art", Sculpture v. 18, no. 5 (June 1999): 66-68. [FirstSearch: WilsonSelectPlus-Full Text]

Clark, James M. Public Art Fund's Urban Paradise: Gardens in the City. New York: Public Art Fund. 1994.

Cohen, R. "Alison Saar", Art Forum 23, no. 3 (1984): 105.

Dallow, Jessica K. Family Legacies/race, gender and inheritance int he art of Betye and Alison Saar. (Thesis) NC: University of North Carolina at Chapel Hill. 2000.

Damian, Carol. Dahlia Morgan. American Art Today: Heads Only: Apr 8- May 6, 1994. Miami, FL: The Art Museum at Florida International University. 1994.

Diehl, C. "Alison Saar", Art News 94, no. 10 (Dec 1995): 140-141.

Eccles, T. "Alison Saar", Art In America 84, no. 1 (Jan 1996): 98-99.

Frankel, D. "Alison Saar", ArtForum 36, no. 5 (Jan 1998): 98-99.

Friedman, Martin. Visions of America: Landscapes as Metaphor in the late twentieth century. Denver, CO: Denver Art Museum; Columbus, OH: Columbus Museum of Art; New York: Distributed by H.N. Abrams.

Gamblin, Noriko; Karen Jacobson; Lia Cook; Harry Gamboa; Doug Hall; Paul Kos; Suzanne Lacy; Daniel Martinez; Michael McMillen' Lari Pittman; Alison Saar; Peter Shelton; Buster Simpson; Larry Sultan. Flintridge foundation awards for visual artists, 1999/2000. Pasadena, CA: The Flintridge Foundation. 2000.

Gerstler, A. "Alison Saar", Art Forum 27, no. 5 (1989):123.

Gladstone, V. "Alison Saar", ArtNews 98, no. 10 (Nov 1999): 194.

Gray Gallery. Enigmatic Inquiry: the search for meaning: works by Italo Scanga, Richard Reese, Alison Saar. Greenville, N.C. : gray Art Gallery, East Carolina University. 1988.

Hammond, P. "Betye Saar, and Alison Saar", ArtNews 89, no. 4 (1990): 176.

Hewitt, MJ. "Alison Saar- The persistence of the Figurative", International Review of African American Art 9, no. 2 (1990): 4-11.

Hunt, Erica and Saar, Alison. Arcade. Kelsey Street Press, 1996.

Igoe, Lynn. Ephemera on North Carolina African-American artists part 1 of 2: Artists. 1963.

Jamaica Arts Center; Kellie Jones; Robert Farris Thompson. Deja Vu: Haitian influence in Contemporary American Art: Paul Gardere, Alison Saar, Ken Tisa. Jamaica, N.Y.: The Jamaica Arts Center. 1989.

Jones, A. "Betye Saar and Alison Saar", ArtForum 28, no. 8 (1990): 182.

Kandel, S. "Betye Saar, and Alison Saar", Arts Magazine 64, no. 8 (1990): 117.

Klein, EL. "Alison Saar", Arts Magazine 60, no. 8 (1986): 132.

Koplos, J. "Alison Saar", Art In America 88, no. 2 (Feb 2000): 123-124.

Lippard, Lucy R. Acts of Faith: Politics and the Spirit: [exhibition]. Cleveland: Cleveland State University, Art Gallery. 1988.

Little, James; Whitfield Lovell; Alison Saar; Kellie Jones. New Visions: James Little, WHitfield Lovell, Alison Saar: the Queens Museum, Jul 1- Aug 23, 1988. Flushing, NY: Queens Museum. 1988.

Lyons, Lisa. Departures: 11 artists at the Getty. Los Angeles: J. Paul Getty Museum. 2000.

MacNaughton, Mary Davis; Judith Davies; Alison Saar. Body, Mind, and Spirit: eight sculptors-Judith Davies, John O'Brien, Minoru Ohira, Alison Saar, Peter Shelton, Kiki Smith, Simon Toparovsky, Connie Zehr,: Ruth Chandler Williams Gallery, Scripps College, Oct 28-Dec 17, 1995. Claremont, CA: The Ruth Chandler WIlliams Gallery. 1995.

O'Donnell, Susannah Cassedy. "Gone Fishing in Baltimore", Museum News, Washington DC 72, no. 4 (Jul-Aug 1993): 27-29.

Pamer, Laurence, AM Weaver. Burning Issues: Contemporary African-American Art. Ft.Lauderdale, FL: Museum of Art. 1996.

Poor, Natasha. The Disruption of Normative Identity Constructs: the nonnormative bodies of Alison Saar and Laura Aguilar. (Thesis) Riverside: University of California, Riverside. 1999.

Reed, Michael. "Alison Saar", Art Papers v. 23, no. 3 (May/June 1999): 58.  [FirstSearch: WilsonSelectPlus-Full Text]

Roberts, Mary Nooter. Body Politics: the female image in Luba art and the sculpture of Alison Saar. Seattle, Washington: University of Washington Press; Chesham: Combined Academic. 2002.

Rodriquez, A. "A Nurturing Garden for a Kindergarten - 'Roots & Wings' in Woodside, Queens", Landscape Architecture 87, no. 7 (Jul 1997): 26+.

Saar, Alison; Lezley Saar; Mary Davis MacNaughton. Alison & Lezley Saar: Ruth Chandler WIlliamson Gallery, Scripps College, Mar 18-Apr 16, 2000. Los Angeles: Perpetua Press. 2000.

______; Thelma Golden. Alison Saar, slow boat: Whitney Museum of American Art at Philip Morris, Feb 20-Apr 18, 1992. NY: Whitney Museum of American Art. 1992.

______. Myth, Magic and Ritual: figurative work by Alison Saar: [exhibition] Feb 2-Mar 7, 1993, Freedman Gallery, Albright College, Center for the Arts. Reading, PA: Freedman Gallery. 1993.

______. Soul Service Station: 1986. Roswell, N.M. : Roswell Museum & Art Center. 1986.

Saar, Betye; Alison Saar. A Special Way of Seeing: the art of Betye Alison & me. Cincinnati, OH: Contemporary Arts Center. 1991.

______; Karen Anne Mason. African-American artists of Los Angeles: Betye Saar/ oral history transcript. Los Angeles: Oral History Program, University of California, Los Angeles. 1996.

______; ______; Elizabeth Shepard. Secrets, Dialogues, Revelations: the art of Betye and Alison Saar. Los Angeles: Wight Art Gallery, Universit of California. 1990.

Scott, Deirdre A; Frank Stewart. Passages: Contemporary Art in Transition. New York: Studio Museum in Harlem. 2000

Scott, Joyce; Judy Onofrio; Beej Nierengarten-Smith. Spiritual Presence: Joyce Scott, Judy Onofrio, Alison Saar. St. Louis, MO: Laumeier Sculpture Park and Museum. 2000.

Shepherd, Elizabeth. Secrets, Dialogues, Revelations: The Art of Betye and Alison Saar. University of Washington Press, 1994.

Simpson, Lorna; Alison Saar; Joyce Scott, Carrie Mae Weems. Exploring Identity: Work by Contemporary African American Women: Feb 24-Apr 22, 2001. Lynchburg, VA: Maier Museum of Art, Randolph-Macon Women's College. 2001.

Sytsma, Janine A. Alison Saar: between two worlds. (Thesis) Denver, CO??. 2001.

Unger, Mary Ann. In a Dark Vein: Nancy Fried, Arlene Love, Deborah Masters, Louise McCagg, Alison Saar, Mary Ann Unger: Feb 25- Mar 25, 1989. New York: Sculpture Center. 1989.

Wallace, Rachel M. Kongo Idology in the Art Work of Betye and Alison Saar: the reimagination of a cultural heritage. (Thesis) University of Florida. 1997.

Wilson, Judith. "Down to the Crossroads: the art of Alison Saar", Third Text: Third World perspectives on Contemporary art and culture. London Vol. 10, (Spr 1990