IMAGES OF
WOMEN IN THE TWENTIETH CENTURY Term
I, 2004-2005
UNIT 7: MASQUERADE, GENDER CONSTRUCTION IN
MODERNISM AND POSTMODERNISM
ARTISTS: GEORGIA O'KEEFFE RROSE SÉLAVY (MARCEL DUCHAMP) FRIDA KAHLO
CLAUDE CAHUN CINDY SHERMAN BARBARA KRUGER
JENNY HOLZER ITHELL COLQUHOUN
ASSIGNED
READINGS: MASQUERADE (IN ORDER OF PUBLICATION)
Riviere,
Joan (1929/1986) "Womanliness as Masquerade,"
[ON ELECTRONIC RESERVE]
Doane,
Mary Ann, (1982) "Film and Masquerade: Theorizing the Female Spectator,"
Screen, v.23 (3-4) Sept/Oct 1982. Also
in Femmes Fatales (ch lib)
[ON ELECTRONIC RESERVE]
Heath,
Stephen, (1986) "Joan Riviere and the Masquerade," in Burgin, et. al.
eds Formations of Fantasy,
[ON ELECTRONIC RESERVE]
Doane, Mary Ann, (1988-89) "Masquerade
Reconsidered: Further Thoughts on the Female Spectator," Discourse,
2 (Fall/Winter 1988-89)
[ON ELECTRONIC RESERVE]
Apter,
Emily, (1991) "Unmasking the Masquerade: Fetishism and Femininity from the
Goncourt Brothers to Joan Riviere," in Feminizing the Fetish,
[ON ELECTRONIC RESERVE]
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
SEE ALSO
SUPPLEMENTARY READINGS:
RROSE
SÉLAVY (MARCEL DUCHAMP) (b.1921-)
Jones,
Amelia G. Chapter 2. "The Ambivalence of Male Masquerade: Duchamp as Rrose
Sélavy," 21-31, plus notes 192-193, in Adler and Pointon (eds.) The
Body Imaged.
ON ELECTRONIC RESERVE
Tashjian,
Dickran. Chapter 2. "Vous Pour Moi? Marcel Duchamp and Transgender
Coupling," 37-65, in Whitney Chadwick, (ed.) Mirror Images: Women,
Surrealism, and Self-Representation. Cambridge, Mass. London England: MIT
Press, 1998.
ON ELECTRONIC RESERVE
FRIDA
KAHLO
Lomas,
David, "Body Languages: Kahlo and Medical Imagery," in Kathleen Adler
and Marcia Pointon, The Body Images: The Human Form and Visual
Culture Since the Renaissance.
Cambridge UP, 1993
[ill: FGM ?? N 7625.5 .B63
1993]
CINDY
SHERMAN:
Krauss,
Rosalind. Cindy Sherman 1975-1993. New York: Rizzoli, 1993.
USF LIBRARY: TR 654 .K729
1993
BARBARA
KRUGER:
Kruger,
Barbara, (1983) We Won't Play Nature to Your Culture, Exhibition
Catalogue, London: Institute of Contemporary Arts,
[XEROX IN ARTISTS FILES: KRUGER -
GREEN]
[ILL: UNIVERSITY OF KENTUCKY
LIBRARY: N 7433.4 .K78 A4 1983]
JENNY
HOLZER:
Holzer,
Jenny (1986) Signs, Exhibition Catalogue, Des Moines Art Center.
[CH HAS PERSONAL COPY ON
FEMINIST'S SHELF]
Howell,
John, "The Medium is the Message: Jenny Holzer," Art News,
(Summer 1988), 123-127.
[XEROX IN ARTISTS FILES: HOLZER -
GREEN]
[NEW COLLEGE LIBRARY PERIODICAL:
>>>>>>>>>>>>>>>>>>>>>>>>>
***************************************************************************************************
GEORGIA
O'KEEFFE CROSS
DRESSING
PHOTOGRAPH BY STEIGLITZ
RROSE
SÉLAVY/MARCEL DUCHAMP UNDERMINING
GENDER
1921 RROSE
SÉLAVY (photograph by Man Ray)
1921 RROSE SÉLAVY (photograph by Man
Ray)
1921 BEAUTIFUL BREATH, VEIL WATER
(Perfume Bottle)
1938 RROSE
SÉLAVY (manikin in 1938 International Exhibition]
1919 L.
H. O. O. Q.
1945 LAZY
HARDWARE (manikin in Bookstore Window)
1965 L.H.O.O.Q.
SHAVED
FRIDA
KAHLO IDENTITY AND IMAGE
CONSTRUCTION--MEDICALIZATION
1938 ** WHAT
THE WATER GAVE ME
1932 HENRY FORD HOSPITAL
1945 WITHOUT HOPE
1932 MY BIRTH
1940 THE DREAM
1944 THE BROKEN COLUMN
1946 TREE OF HOPE, STAND FAST
1938 ** REMEMBRANCE
OF AN OPEN WOUND
1943 ROOTS
1949 THE LOVE EMBRACE OF THE
UNIVERSE, THE EARTH (MEXICO) ME, DIEGO AND MR. XÓLOTO.
1940 SELF-PORTRAIT WITH CROPPED
HAIR
1939 THE TWO FRIDAS
CLAUDE
CAHUN THE AMBIGUITY OF
A LESBIAN
1911 SELF-PORTRAIT
1920 SELF-PORTRAIT
1921 SELF-PORTRAIT
1927 SELF-PORTRAIT
1927 SELF-PORTRAIT
1928 SELF-PORTRAIT WITH MASK
1928 SELF-PORTRAIT
1929 SELF-PORTRAIT
1938 SELF-PORTRAIT
CINDY SHERMAN RE-REPRESENTING MASQUERADE AS FEMININE
1978 UNTITLED # 14
1978 UNTITLED # 15
1978 UNTITLED # 25
1979 UNTITLED # 48
1979 UNTITLED # 52
1980 UNTITLED
# 54
1980 UNTITLED # 71
1980 UNTITLED # 74
1981 UNTITLED
# 94
1981 UNTITLED # 102
1983 UNTITLED # 129
1985 UNTITLED # 145
1989 UNTITLED # 216
1990 UNTITLED # 224
1990 UNTITLED # 225
BARBARA
KRUGER SHIFTERS: THE
POSSIBILITIES OF PRONOUNS AND POSSESSIVES
SURVEILLANCE IS YOUR
BUSYWORK [EMPHASIS ADDED]
DON'T BUY US WITH APOLOGIES
WE WILL UNDO YOU
WHAT SIGN ARE YOU?
WE ARE YOUR
CIRCUMSTANTIAL EVIDENCE
YOU INVEST IN THE DIVINITY OF
THE MASTERPIECE
WE HAVE RECEIVED ORDERS NOT
TO MOVE
NOW YOU SEE US-- NOW YOU
DON'T
OUR LOSS IS YOUR GAIN
YOUR GAZE HITS THE SIDE OF MY
FACE
I SHOP THEREFORE I AM
YOUR BODY IS A BATTLEGROUND
MEMORY IS YOUR IMAGE OF
PERFECTION
YOU ARE NOT YOURSELF
I HATE MYSELF
JENNY
HOLZER
1978 INFLAMMATORY ESSAYS
1983 ABUSE OF POWER COMES AS NO SURPRISE
PROTECT ME FROM WHAT I WANT
MIXED MESSAGES: MURDER HAS ITS
SEXUAL SIDE
ITHELL
COLQUHOUN
1938 SCYLLA
THE PINE FAMILY